Discography
Click a square. It starts playing, and the page turns to match the record. Cover art is the real artwork, served by Spotify; 15 of 16 play here, and the one that never reached streaming says so.
Solo albums
12 records, 2004 — 2026Collaborative albums
4 recordsThe producer nobody wanted to hear rap, rapping. Sped-up soul, a jaw wired shut, and "Jesus Walks" — still the oldest song standing in the 2026 set.
Jon Brion on strings and harpsichord, a rap record arranged like a film score. "Gold Digger" made him unavoidable; "Touch the Sky" made him a stadium act.
Stadium synths, Daft Punk, and the week he outsold 50 Cent and changed what a rapper was allowed to sound like. "Homecoming" and "Can’t Tell Me Nothing" are still load-bearing live.
- Can't Tell Me Nothing
- Homecoming
- Flashing Lights
Auto-Tune, a drum machine and grief, made three weeks after his mother died. Hated on arrival, then quietly responsible for the next fifteen years of rap.
Exile in Hawaii, a rotating cast of everyone, and maximalism as apology. It ends on "Runaway", which is how every night of the 2026 tour ends too.
- Runaway
Two of the richest men in the genre making a record about what that costs. "Niggas in Paris" is still the biggest single moment in the 2026 catalogue block.
- Niggas in Paris
Industrial, abrasive, finished in fifteen days with Rick Rubin stripping it back to nothing. Four of its ten tracks run back to back in the middle of every 2026 show.
- On Sight
- Black Skinhead
- New Slaves
- Blood on the Leaves
The first album that kept changing after release — tracks re-mixed, re-sequenced and re-uploaded for weeks. Track counts vary by version, which is the whole point of it.
- Father Stretch My Hands, Pt. 1
Twenty-three minutes cut in Wyoming and premiered round a campfire, with "I hate being bi-polar it’s awesome" written over a mountain. "Ghost Town" is the reason the Kid Cudi reunion in Chicago landed the way it did.
- Ghost Town
Seven songs, twenty-three minutes, the best thing either of them did that decade. Everything about the 4 September 2026 reunion runs through this record.
The gospel turn, made in public through the Sunday Service choir. Divisive then; the choral arrangements never left the live show.
Named for his mother and built in three stadium listening events with the artist living inside the venue. Nearly two hours long; "Off the Grid", "Praise God" and "Moon" all made 2026.
- Off the Grid
- Praise God
- Moon
Released exclusively on his own $200 hardware and never delivered to streaming, which is why there is no player on this card. It exists, and it is not on Spotify.
The independent era starts here: no major label, a listening event economy, and a duo record billed to ¥$. It arrived after two years of him being unsignable.
Surprise-released to streaming hours after a YouTube livestream, with North and Chicago West, Playboi Carti, Future, Lil Wayne and half of Atlanta on it.
The twelfth album, five years in the making, announced with four words: BULLY ON THE WAY NO AI. Four days later the globe switched on at SoFi Stadium.
- KING
- PREACHER MAN
- BEAUTY AND THE BEAST
- WW3
- FATHER
- ALL THE LOVE
- HIGHS AND LOWS
- LAST BREATH